#charcoal forest
#dropped clouds
#kamaroan
#daily ordinary
#herb lane

ESSAY: Exploring Shared Mental Models Variations in Timeline
ESSAY: Applying Fashion Business Models to the Expansion of Tribal Art
RESEARCH: Design Studio Developments in the Netherlands
PROJECT: The Art Inspired Products Consultancy

YunFann (1990) is obsessed to analysis, research and everything that is related to computer. She is fearless to experiment the possibilities of the stories, aesthetic and forming method from different kinds of materials. Her ideal way of working is to explore the balance between self-identity and the commercial world, and she is stepping forward along this road by exploring consumer culture, fashion business models, media patterns and Asian roots.

YunFann is a Taipei (Taiwan) based designer, she is currently a master student in the Institute of Industrial Design of the National Taiwan University of Science and Technology. In 2014-2015, she spent a year as an exchange student in the Strategic Design Department of TU/Delft (The Netherlands) and the Leisure Department of Design Academy Eindhoven (The Netherlands).

yunfann@gmail.com | pinterest

2015年2月5日 星期四

Daily Ordinary / Stories


The ‘Daily Ordinary’ collection delivers the stories in our every normal day. These stories might not be able to catch your eyes, but they are our daily necessities: the sun lights that shines through the begonia glass patterns every morning, the rain drops dripping along the wave boards in the summer days, and the wrought iron windows that are always different in styles. Until the day you leave your ordinary life, the moment that you memorize all the hidden daily stories comes.

During developing this collection, we explores the balance between craftsmanship and mass production. By embedding ceramics on basic geometric metal objects, we transfer the role of ceramic from the main part of a design object into the decorative but storytelling position.

“As all the vintages lined up in a second hand market, I looked into piles of rusted metal tools, corroded wooden furnitures, dusty textile while the ceramic objects seem avoided the consumption of time. It remains delicate as usual, solely-gently telling its stories.”

We hope the eternal gentle ceramic could deliver the daily stories eternally.

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